![]() I’m just excited for everyone to come and see it it’s such a great play. It must be funny to see something that you were in and even stranger when 50 percent of the cast is the same as when you did it. I don’t think Eddie has any way of reaching me, but I’m hoping that’s not just cool indifference. Has your awards-laden predecessor, Eddie Redmayne, offered guidance or support? We haven’t yet had to descend into numbers-Alfreds 1 and 2-in order to keep our identities separate. How does the creative team distinguish by name between you and Alfred Molina in the rehearsal room? This can’t really be the same production when 50 percent of the cast is different. ![]() Everyone’s been bold enough to say, “You know, we’re prepared to see where this goes,” and according to them it’s quite different-which is a nice thing to hear.ĭoesn’t it help that you comprise half the cast?Įxactly. It hasn’t felt like a room where there has been a prescribed endpoint. I can’t really evaluate our show in the context of the last production since I never saw it, but this feels like something new. How does it feel being the newbie in the room, alongside a co-star, Alfred Molina, and a creative team who made Red a London and Broadway hit? ![]() The hugely engaging Enoch spoke one day after rehearsals about following on from Tony and Olivier Award-winning actor Eddie Redmayne in the role of Ken and why he’s unlikely, at least for now, to relocate to L.A. Alfred Enoch hit the big time as Wes on ABC’s How to Get Away with Murder and played Dean Thomas in the Harry Potter films, but the fast-rising screen star is returning to the stage to join Alfred Molina in the London reboot of John Logan’s Tony-winning play Red, which starts performances May 4 at Wyndham’s Theatre-closing in on nine years after its Donmar Warehouse premiere.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |